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Irish Music is the generic term for music that has been created in various genres on the island of Ireland.
The indigenous music of the island is termed Irish traditional music. It has remained vibrant through the 20th, and into the 21st century, despite globalizing cultural forces. In spite of emigration and a well-developed connection to music influences from Britain and the United States, Irish music has kept many of its traditional aspects and has itself influenced many forms of music, such as country and roots music in the USA, which in turn have had some influence on modern rock music. It has occasionally been fused with rock and roll, punk rock and other genres. Some of these fusion artists have attained mainstream success, at home and abroad.
In recent decades Irish music in many different genres has been very successful internationally. However, the most successful genres have been rock, popular and traditional fusion, with performers such as Clannad, Enya, Westlife, Thin Lizzy, The Pogues, Rory Gallagher, The Corrs, The Chieftains, Riverdance, The Irish Tenors, Van Morrison, The Cranberries, U2, Ash, The Script, Damien Rice, Glen Hansard and Eleanor McEvoy achieving success nationally and internationally.
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By the High and Late Medieval Era, the Irish annals list a number of native musicians, such as the following:
Up to the seventeenth century, harp musicians were patronised by the aristocracy in Ireland. This tradition died out in the eighteenth century with the collapse of Gaelic Ireland. Turlough Carolan (1670–1738) is the best known of those harpists,[1][2] and over 200 of his compositions are known. He wrote in a baroque style that is usually classified as classical music, but his music has entered the tradition and is played by many folk musicians today. Edward Bunting collected some of the last-known Irish harp tunes at the Belfast Harp Festival in 1792. Other important collectors of Irish music include Francis O'Neill[3] and George Petrie.
Irish traditional music includes many kinds of songs, including drinking songs, ballads and laments, sung unaccompanied or with accompaniment by a variety of instruments. Traditional dance music includes reels (4/4), hornpipes and jigs (the common double jig is in 6/8 time).[4] The polka arrived at the start of the nineteenth century, spread by itinerant dancing masters and mercenary soldiers, returning from Europe.[5] Set dancing may have arrived in the eighteenth century.[6] Later imported dance-signatures include the mazurka and the highlands (a sort of Irished version of the Scottish strathspey).[7] In the nineteenth century folk instruments would have included the flute the fiddle and the uilleann pipes.
A revival of Irish traditional music took place around the turn of the 20th century. The button accordion and the concertina were becoming common.[8] Irish stepdance was performed at céilís, organised competitions and at some country houses where local and itinerant musicians were welcome.[9] Irish dancing was supported by the educational system and patriotic organisations. An older style of singing called sean-nós ("in the old style"), which is a form of traditional Irish singing was still found, mainly for very poetic songs in the Irish language.[10]
From 1820 to 1920 over 4,400,000 Irish emigrated to the USA, creating a Celtic diaspora in Chicago (see Francis O'Neill), Boston, New York and other cities.[11] Irish musicians who were successful in the USA made recordings which found their way around the world and re-invigorated musical styles back in the homeland.[12] For example American-based fiddlers like Michael Coleman, James Morrison and Paddy Killoran did much to popularise Irish music in the 1920s and 1930s.
After a lull in the 1940s and 1950s, when (except for Céilidh bands) traditional music was at a low ebb, Seán Ó Riada's The Chieftains, The Clancy Brothers, The Irish Rovers, The Dubliners, Ryan's Fancy and Sweeney's Men were in large part responsible for a second wave of revitalization of Irish folk music in the 1960s. They were followed by the likes of Planxty, The Bothy Band and Clannad in the 70s. Later came such bands as Stockton's Wing, De Dannan, Altan, Arcady, Dervish and Patrick Street, along with a wealth of individual performers.[13]
Classical music Ireland has produced a number of important composers including Thomas Moore and Turlough Ó Carolan. John Field, who lived in the early Romantic Era has been credited with the creation of the Nocturne form, later developed by Frédéric Chopin. Michael W. Balfe composer of 38 operas for the houses of London, Paris, Milan and Vienna; William Vincent Wallace composer of six operas and Charles Villiers Stanford achieved popularity in Europe and the UK during the 19th and early-20th centuries, but invariably success for Irish composers has come primarily outside the Irish state. A notable contributor to Irish music since the 1930s was Cork professor of music Aloys Fleischmann. Today, the best-known living Irish composer is Gerald Barry whose operatic works have been particularly successful in the UK and Europe.[14]
Performers of classical music of note include Catherine Hayes, (1818–1861) Ireland's first great international prima donna and the first Irish woman to perform at La Scala in Milan; tenor John McCormack (1884–1945), the most celebrated tenor of his day; opera singer Margaret Burke-Sheridan (1889–1958); the concert flautist Sir James Galway and pianist Barry Douglas.[15] Douglas achieved fame in 1986 by claiming the International Tchaikovsky Competition gold medal. Mezzo-sopranos Bernadette Greevy and Ann Murray have also had success internationally.[16]
Choral music in Ireland has produced Anúna, known for their contribution to Riverdance in the early 1990s. They have also been nominated for a Classical Brit Award in the UK and were invited to give the first ever Irish Prom at the BBC Proms series in the Royal Albert Hall in 1999. The National Chamber Choir and Resurgam are two important professional choral groups that have begun to make an impact upon the awareness of vocal music beyond that of opera or contemporary popular music, while there are several high-quality church choirs, particularly in Dublin: The Palestrina Choir (St Mary's Pro-Cathedral), Christ Church Cathedral Choir (Christ Church Cathedral) and St Patrick's Cathedral Choir.
In the 1980s Shaun Davey composed The Brendan Voyage, a mix of classical orchestral and Irish traditional styles with the uilleann piper Liam O'Flynn as the soloist. He continued and expanded this genre with his compositions The Pilgrim, Granuaile, and The Relief of Derry Symphony.
Piano Concerto No.1, Guitar Concerto No.1 and the Variations on Bach's Inventions are some of the works of Richard Kearns who is another of Ireland's classical composers.
Showbands were a major force in Irish popular music, particularly in rural areas, for twenty years from the mid-1950s. The showband played in dance halls and was loosely based on the six or seven piece Dixieland dance band. The basic showband repertoire included standard dance numbers, cover versions of pop music hits, ranging from rock and roll, country and western to jazz standards. Key to the showband's success was the ability to learn and perform songs currently in the record charts. They sometimes played Irish traditional or Céilidh music and a few included self-composed songs.[17]
Traditional music played a part in Irish popular music later in the century, with Clannad, Van Morrison, Hothouse Flowers and Sinéad O'Connor using traditional elements in popular songs. Enya achieved international success with New Age/Celtic fusions. The Pogues, led by Shane MacGowan, helped fuse Irish folk with punk rock to some success beginning in the 1980s, while the Afro-Celt Sound System achieved fame adding West African influences and drum n bass in the 1990s while bands such as Kíla fuse traditional Irish with rock and world music representing the Irish tradition at world music festivals across Europe and America.
Riverdance is a musical and dancing interval act which originally starred Michael Flatley and Jean Butler and featuring the choir Anúna. It was performed during the Eurovision Song Contest 1994. Popular reaction to the act was so immense that an entire musical revue was built around the act.
The 1960s saw the emergence of major Irish rock bands and artists, such as Them, Van Morrison, Emmet Spiceland, Eire Apparent, Skid Row, Taste, Rory Gallagher, Dr. Strangely Strange, Thin Lizzy, Mellow Candle.
Groups who formed during the emergence of Punk rock in the mid-late 1970s included U2, The Boomtown Rats, The Undertones, Aslan, Gavin Friday, and Stiff Little Fingers. Later in the 80s and into the 90s, Irish punk fractured into new styles of alternative rock, which included That Petrol Emotion, My Bloody Valentine and Ash.[18]
In the 1990s, pop bands like the Corrs, B*Witched, Boyzone, Westlife and The Cranberries emerged. In the same decade, Ireland also contributed a subgenre of folk metal known as Celtic metal with exponents of the genre including Cruachan, Geasa and Waylander.[19]
Other artists well-known as popular music performers include Paddy Casey, Phil Coulter, Dolores Keane, Damien Rice, Daniel O'Donnell, Eleanor McEvoy, Finbar Wright, Maura O'Connell, Frances Black, Sharon Shannon, Mary Black, The Frames and Stockton's Wing.
Since the 2000s the independent music industry is continuing to grow with well established acts such as Snow Patrol, The Coronas, Gemma Hayes, Nina Hynes, Cathy Davey, The Script, The Flaws, David Geraghty, Lisa Hannigan, Codes, Fight Like Apes, The Blizzards, Third Smoke, Jape, Hooray for Humans, General Fiasco, The Answer and Two Door Cinema Club, Prophecy Within.
Irish acts | Sold | Genre | Years active | Notes |
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1. U2 | 170 Million + | Rock | 1976–Present (33 Years) | [20] |
2. Enya | 80 Million + | Celtic/New Age | 1986–Present (22 Years) | [21] |
3. Van Morrison | 55 Million + | Soul | 1967–Present (40 Years) | |
4. The Cranberries | 50 Million + | Rock | 1990–2003, 2009–Present (13 Years) | [22] |
5. The Corrs | 43 Million + | Pop | 1995 - 2006 (11 Years) |
In 2010, PRS for Music conducted research to show which five Irish musicians or bands the public considered to be the 'most standout'. U2 topped the list with sixty-eight percent[23][24] while Westlife, Van Morrison, Boyzone and The Cranberries came in 2nd, 3rd, 4th and 5th, respectively. The research also suggested that the 'top-five' had sold over 341 million albums up to March 2010.[25]
Irish act | Percent | Genre |
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1. U2 | 68 | Rock |
2. Westlife | 10.5 | Pop |
3. Van Morrison | 10 | Soul |
4. Boyzone | 7.5 | Pop |
5. The Cranberries | 4 | Rock |
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